Arkanil Das
Painting fifty year past and music too made the discovery that has only vertical hit the theatre: that bourgeois art academic = self-complacent = safe = lifeless = middle-class: so it can non be the vital art of the twentieth century.
Peter substantiate in Search for a Hunger,
Encore, 1961
box seat of a street. Late-afternoon. The scotchish street lamp decides not yet, whether it takes a C.L. or not. Chowmin-smell with eggly puniness makes the smell-mechanism of that corner where a weekly uncleared municipality vat has something to verbalise but...... And in this ecosystem there sits a person with his rain-wood skin, copper-dusty eyes and nonmeaningful murmuring.
stroke to
Corner of a street. Night is clustering. The street lamp decides to do its duty in a filamentic way. Shadows create the shadow of a python in the shadow-mechanism of that corner where a eightdays uncleared municipality vat barks neri........... And in this ecosystem there comes a BMW in front of the no- mean chutia. He woolf- crawls.The BMW door opens. He gives something shiney to the stretched claw from the BMW. The car moves away. He returns to his den. A controlling smile plays in his lips.
Cut to
Corner of a street. Early early-morning.
The street lamp decides to take a office-cut before ii hours. Tung-tang of rickshaw looping with a regular intervalled k-u-u-u of trains creates the sound-mechanism of that corner where a sare-eight days uncleared municipality vat contains something more to clear..... And in this ecosystem there lies the laas of that rained-wood skin,woolf-crawled no-mean chutia. Mouth is one-eighth open, eyes are fixed on the zenith, a few flies jog over lips.
Cut to
- Who is he?
- How can I know?
- Where from?
- Everywhere and nowhere.
- How he dies?
- Im not a witness.
- So,what you know gandu?
- solely that the above real-cuts need some...If you want to get a full essay, order it on our website: Orderessay
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