Is Vampire a Fiction or Real?

Bram fire-eater in genus Dracula details much of what would become the cognizance of the vampire, a lore that Rice would exploit in a divers(prenominal) way, and Stoker at the same meter was dealing with an in dis puzzlement of the resurrection fiction in the character of Dracula himself, a character who dies and is born-again entirely who is evil quite a than good and destructive rather than nurturing. The hero who opposes him reconciles the opposing forces of good and evil, light and dark, conduct and devastation. The flooring of Dracula is told as a story of shifting perspectives, and this includes different views of the character of Dracula. The story of the vampire Dracula naturally includes a number of opposing forces or opposing conceptions, and as noted, it besides involves an inversion of a number of mythic ideas and principles. Blood is somewhat(prenominal) a symbol of life and a symbol of death, and the white plague of blood in this novel shows a duality--blood is drained from victims and leaves them dead, but they are resurrected shortly and continue to live in a half-world. Blood is a giver of life to the vampire, and its loss brings death to the victim. Blood is equated with life, and in the novel it is also associated with the non-life of the vampire.

Leo Braudy writes of Anne Rice's version of the vampire legend,

Anne Rice exploits all the cozy elements in these myths with a firm self-consciousness of their mean

The Christian god was as dead as he had been in the 1700s. And no new mythological religion had arisen to take the place of the old . . . As for knowledgeableity, it was no longer a bet of superstition and rear. the last religious o'ertones were being stripped from it. That was why people went around half naked. . . I did a push-down list of thinking about this sinless secular morality, this optimism. This brilliantly illume world where the value of human life was greater than it had invariably been before (Rice 9-10).

At the same time, they are very sexual beings, and the blood-drinking that keeps them strong is only one aspect of this.

Lestat has moved by means of his time on earth as if seeking an answer, some mode of life that will give him a sodality of the physical and the spiritual. The physical is set for him in the vampire life that he must lead, but the spiritual meaning and mental synthesis that he wants to go along with that life is more elusive. He seeks it in different ways in different time periods, such as when he delves into the myth of Osiris and Isis in Egypt or the vampire lore of places like Sicily and Venice. What he ultimately becomes fits the innovational age--he becomes a rock star in New Orleans, choosing a lifestyle which caters to his needs and his peculiarities--it is a mode of life that is strongly sexual, attracting males and females on both sides of the footlights who seek to express their sexuality and to taste in the sexuality of others; it is a life that often confuses sexual orientation through androgynous mode of dress and epicene behaviors; and it is a lifestyle that stands on the edge of the larger social club while also appealing to that society and where oddity is sure and not suspected. It is also a world that celebrates beauty over other attributes and where sexual appeal is expected, celebrated, and sought.

Indeed, the modern world is seen as one particularly tolerant of the vampire, offering Lestat opportunities denied him in primitively and
Order your essay at Orderessay and get a 100% original and high-quality custom paper within the required time frame.